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Strapless: John Singer Sargent and the Fall of Madame X, by Deborah Davis
Get Free Ebook Strapless: John Singer Sargent and the Fall of Madame X, by Deborah Davis
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Review
"Readers will enjoy this brisk, sometimes breathless account of the creation of the work the artist once called his best...A fascinating commentary on the evanescence of fame and beauty." --Kirkus Reviews"An entertaining, observant novel about the gorgeous, enigmatic Madame X." --from Bustle.com's roundup of "11 Novels Every Art History-Lover Should Pick Up""A stunner about a stunner." —The Philadelphia Inquirer"The book's pace is lively and its breadth impressive." —Houston Chronicle
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About the Author
Deborah Davis is the author of Party of the Century: The Fabulous Story of Truman Capote and his Black and White Ball (Wiley, April 2006), and Strapless: John Singer Sargent and the Fall of Madame X (Tarcher/Putnam, 2003). Her most recent book is The Secret Lives Of Frames: One Hundred Years of Art and Artistry (Filapacchi, 2007).
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Product details
Paperback: 320 pages
Publisher: TarcherPerigee; Reprint edition (May 3, 2004)
Language: English
ISBN-10: 158542336X
ISBN-13: 978-1585423361
Product Dimensions:
5.5 x 0.9 x 8.3 inches
Shipping Weight: 1 pounds (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
120 customer reviews
Amazon Best Sellers Rank:
#351,449 in Books (See Top 100 in Books)
A very interesting story about this particular portrait. I find it highly ironic that the subject and her Mother initially were happy with it and then recoiled when the critics found the dropped shoulder strap scandalous. Then later, she apparently wanted to try to get some notoriety back and had another painter do a similar painting, which was essentially greeted by yawns by both the public and the critics.
Madame X is one of those paintings that everyone knows, or thinks they do. And there are many books about John Singer Sargent. So why another one? The simple fact is that the story behind the painting is even more fascinating than the story we think we know. Two Americans, trying to make their way in Paris society of the Gilded Age. One a painter on the cusp of greatness. The other a woman whose seductive power has opened doors that many American society women could not budge. The painting was to be their master stroke. But it backfired, and how! This book is well written, has plenty of illustrations (so important in a book about paintings), and is a glimpse into a world so very foreign to our own. What went wrong? Read on.
I really enjoyed this easy to read book. The author's style is informative but not too academic and she keeps the actions going by just describibg the many interesting characters that inhabited the Parisian art scene at this time. Although she never uses the word, the book is an interesting commentary on the sexism that women have suffered through the centuries. I would definitely recommend this book to anyone interested in this painting, John Singer Sargent or women, men and scandals of a not too distant era
Always a devoted fan of John Singer Sargent and enthralled by Madame X from the moment I first saw the painting, I devoured Strapless. I believe Deborah Davis did her research and I wish there was more to know about Amelie Avegno as both Sargent and the painting Madame X certainly have eclipsed the original woman. Sargent captured her in what I consider to be his best work, which is saying something considering he was prolific and left a mesmerizing look into the Gilded Age and those privileged few who inhabited that world. Amelie's life began in Louisiana, the daughter of the Proud South and a product of the plantation system, guided by her very strong grandmother and mother. The haunting photograph of Amelie and her sister, Valentine, during the Civil War shows the long arms and tiny waist as well as the Avegno nose which would be her trademarks later. Her life as an expatriate in Paris during a truly fascinating time period is intriguing while her ambitious mother set about marketing her daughter for a good marriage. Amelie embodied the modern woman of Paris but sadly, being a Professional Beauty has a short shelf life which doomed her to a miserably empty existence.I think the chapter, Dancing on a Volcano, dealing with the peculiarities of the citizens of Paris who found viewing corpses in the morgue as entertainment yet were shocked by Sargent's painting is very well done. Ms. Davis explains how confounding the duplicity of this was. There were plenty of "traditional" nudes of women on display but people chose to be shocked and horrified by Sargent's depiction of Amelie as she really was, with that shoulder strap casually slipped down and her proud arrogance. One is left wondering how differently things might have turned out if he had sent the copy with the strap on her shoulder to the Salon instead, would everyone have been as outraged?Honestly, I wish there were more details into this woman's life, but she lives on in the Metropolitan Museum of Art, beguiling and elusive, a testimony to the unwise strategy of basing one's entire existence on one's beauty when we all grow old.
I never knew the portrait was originally called Portrait of Madame X. I always thought that was how people referred to it because of its femme fatale attitude. This is an engaging back story to the painting of this iconic portrait. The author worked in Hollywood as a story developer and it shows. She takes what is essentially very little hard information and paints a vivid picture of the lives involved in this masterpiece and the era which produced it. The story development comes through in an overabundance of phrases like "One can imagine that she was among the guests at the grand ball." and "He might have felt..." Loaded with storytelling license that sometimes goes too far, it's still good to know the background of one of America's greatest portraitists and the woman whose reputation he ruined with his most famous work.
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